Paradoxes of solitude
- Eurozine Review
Estonian mag ‘Vikerkaar’ considers the most extreme form of social distancing: solitude. Including articles on modernity and masturbation, solitary confinement in Estonian prisons, and a one-man newspaper.
From revolution to masturbation
Eurozine Review 02/2021
Scratching at the surface of Mark Rutte
Dutch Review of Books 1/2021
Paradoxes of solitude
Work, care and liberty
Correcting the metropolitan bias
Il Mulino 6/2020
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Modernity and onanism
The Enlightenment had a few things to say about the solitary vice. It was immoderate and made men slaves to themselves. Driven by the imagination, it unmoored one from the social world in an era that prized individualism. Like credit, it made something out of nothing and threatened to careen out of control.
Historian Thomas Laqueur connects Enlightenment disapproval of solitary sex to older Christian concerns with carnal longing as estrangement from God:
If the gods gave humans shame to allow us to live together, the pedagogues, doctors, and philosophers of the Enlightenment worked so hard to make sex with ourselves shameful in an effort to allow us to live alone. It was a hard road to make something private and solitary shameful, because shame is an emotion evoked in public through the real or imagined gaze of others. It was their project to make it shameful in the eyes of the self. And, in the long Augustinian tradition, they located it in the desiring flesh – an asecular appropriation of concupiscence.
A history of solitary confinement
The Estonian justice system has been censured repeatedly by human rights organizations for its frequent use of solitary confinement. The UN’s Nelson Mandela rules state that confinement should be limited to two weeks. In Estonian law, however, prisoners can be sentenced to solitary confinement for disciplinary offences for up to forty days and cases have been identified where prisoners have been held in confinement for over two hundred days.
Estonian prisons subscribe to ‘the principle of normality’: that life in prison should resemble normal social life as much as possible, in order to avoid alienation and serve rehabilitation. In practice, however, they tend to resemble hospitals or psychiatric institutions that emphasize uniformity and control, writes Jako Salla.
Regular confinement in Estonian prisons is not that different from solitary confinement: ‘if isolating people with the Bible in Pennsylvania Prison or Bentham’s panopticon at least aspired to turning them away from crime, then the pointless, boring and inactive day of the Estonian prisoner, at times in greater, at times in lesser isolation is completely devoid of meaning. A prison that prioritizes isolation over all else cannot lead to rehabilitation.’
Soviet hippies, a one-man newspaper and the semantics of disease
Other articles look at individuals who have voluntarily isolated themselves from society – from a hippie, who travelled the length of the Soviet Union, to a hermit-journalist in the 1930s, who published several newspapers and magazines for which he was the sole author. Finally, anthropologist Daniele Monticelli surveys the political meanings of disease, from the role of the plague in the Iliad and Oedipus Rex to modern disaster films like Contagion.
This article is part of the 2/2021 Eurozine review. Click here to subscribe to our weekly newsletter to get updates on reviews and our latest publishing.
Read from this issue in Eurozine:
The advent of the solitary vice
On the history of masturbation
Published 3 February 2021
Original in English
First published by Eurozine
Living spaces and gender relations in Estonian homes
Whose rules determine how space is used or shared? Whose identity does a room express? The home is the place where power relations are established and contested. Ingrid Ruudi looks at how modern living space has shaped and been shaped by gender roles in Estonia.
Anthropological studies conducted during the Russian empire categorized Estonians as Asiatic. But with the rise of nationalism, colonialism and eugenics, Estonians came to be classified – and to self-classify – as Nordic and European. Photography and painting provide a record of this visual whitening.